A Place Called Poppleton Revisited

In spring 2021 A Place Called Poppleton debuted to document the history and culture of the Poppleton neighborhood of Southwest Baltimore. UMBC students produced a StoryMap digital walking tour of the neighborhood with a focus on the area’s Black history and places lost or endangered due to redevelopment. We worked to document and share engaging stories of the past and present through archival research and listening to those who live, work, and are connected to Poppleton.

Curtis Eaddy II, Curtis Eaddy I and Sonia Eaddy at their Carrollton Avenue home.

The project was a collaboration between Nicole King’s Preserving Places, Making Spaces in Baltimore course and Bill Shewbridge’s MCS Media Production fellows. King’s American Studies students researched the history of Poppleton and Shewbridge’s students produced short films from interviews in the field on the history of Poppleton and how local stakeholders feel about the neighborhood’s changes related to redevelopment.

Check out the Poppleton Digital Tour and visit the website for all the videos and content: https://baltimoretraces.umbc.edu/poppleton/

Over the summer, Professor Nicole King worked with a collective of local residents and supporter on a Save Our Block campaign. For more on that, you can read:

Mark Reutter, Ground down and depopulated, Poppleton makes a last stand Baltimore Brew (July 10, 2021)

Fern Shen, A rally to save Poppleton draws supporters, but nobody from City Hall Baltimore Brew (July 11, 2021)
Fern Shen, City razes historic house in Poppleton two days after Save Our Block rally Baltimore Brew (July 13, 2021)

Hallie Miller, As Baltimore’s Poppleton neighborhood braces for change, residents liken it to a ‘family’ being broken apart, Baltimore Sun (July 23,2021)

That work led to research and organizing around a CHAP local history district on the important Black history of the block. This early research and idea was presented to the community at a small event (due to rain) on August 11, 2021. The CHAP local history district was presented at the August 19, 2021 to the newly elected executive committee and board of directors for Poppleton Now neighborhood association. On Thursday, August 26 the initial research on the CHAP local history district was presented at a public meeting held in the Sarah Ann Street park where around 40 community members attended. We handed out the student-produced zines, which were designed by UMBC graduate and artist Markele Cullins.

A Place Called Poppleton zines (research by AMST 422/682 spring 2021) design by Markele Cullins: https://www.markelecullins.com/

Prof. Nicole King and Curtis Eaddy II discussed the history. Eric Holcomb from CHAP answered any questions about what a local history district does and does not do. Sonia Eaddy presented on the Poppleton Plan, a community-driven plan designed with a city planner. Many members of Poppleton Now and the Southwest Partnership board attended. Councilman Dr. John Bullock, who represents Poppleton and is a member of the CHAP board, pledged his public support of the local history district.

For the fall 2021 semester, AMST Community in America seminar students will work collaboratively with local residents in further documenting the history of Poppleton and researching the history of the houses along the block. We also want to document the recent past and complete further oral history interviews with residents who have been displaced from this block due to the long-stalled redevelopment project dating to 2004.

If you have thoughts, feedback, or want to get more involved, please contact Prof. Nicole King nking@umbc.edu.

Elegy for the Arcade: Long Live Lexington Market

May 1, 2020

What does a building mean without the people? 

These days as I sit at home, I often think about, sometimes dream about, being inside bustling buildings full of people. Will we ever get back to those days of humans packed together eating, drinking, and dancing together? 

We will, but we will never get to hang out in the Lexington Market Arcade again.


Even though I knew the demolition of part of Lexington Market was coming, when I saw the pictures on social media, I needed to go for a walk down Eutaw Street and see it myself. I have a deep love of the Arcade, the retro atrium-style food court in Lexington Market, in part because it is a democratic public space in a city where such spaces are few and disappearing. 

As I walked down Eutaw Street, it was clear Baltimore street life is still alive, even as Lexington Market remains primarily closed due to the pandemic. The sidewalks are not as packed as usual and some people are wearing masks. But many Baltimore residents are waiting on the bus, selling or doing drugs, and walking around the city, just like before the coronavirus crisis. Faidley’s, the oldest business in the market, is still open for take out on the Paca Street side. But, it is Eutaw Street that’s most alive. 

Various redevelopment plans for Lexington Market have been talked about for many years, so I doubted anything would actually happen. It’s happening; and, here’s what’s going on with the new Lexington Market. 

Seawall Development, the folks that brought you R. House in Remington, are redeveloping Lexington Market for the City of Baltimore. The ceremonial groundbreaking was in February, but the demolition of the Arcade began on Tuesday, April 29 with little fanfare during a time when much of the city remains shut down due to Covid-19. 

The Arcade was the two-level atrium built as an addition to the market in 1982. The first floor had a host of stalls and businesses, with a large stage in the middle where many events, ranging from fashion shows to musical performances, took place. On Saturdays, the Arcade was packed with people hanging out; many of them have been coming to the market for decades, for generations, to see and be seen.

Groups would gather by the Italian Stallion pizza spot to drink beer and listen to the band as people of various ages would dance while customers rushed through on their way to the second floor to eat food procured from market vendors. You better have purchased something to sit on the second floor of the Arcade. Security was fierce in patrolling the Arcade, which was the only part of the market that had much space to sit and socialize. 

Developers will build a new Lexington Market in the south parking lot, previous home of the annual Crab Derby festivities or the elephant parade when the circus was in town (before that was shut down). The city is destroying the Arcade to reopen Lexington Street as a “walkable, urban plaza perfect for farmers’ markets and public gatherings,” according to the market’s website.

The idea was that the current market vendors could remain open in the old East Market during construction of the new market and then move once the new space was complete. There aren’t any actual plans for the old East Market, or the West Market, which has been closed for some time, once the sparkling new Lexington Market is built. The old buildings, which date to 1952, may just loom as relics of the past haunting the landscape of the future, one I can’t really imagine. But the current pandemic has closed the East Market as well.

When the new market rises from the parking lot, what will remain of the Lexington Market we knew? This is an important question because the market and its environs are undeniably a Black public space in a city that has not shown that Black neighborhoods and Black people matter. Lexington Market, which is one of the oldest public markets in the U.S. and dates to the late 18th century, is also a space where one can trace the waves of immigration to Baltimore, including the Korean and Korean-American stall owners who currently make up the majority of vendors.

Lexington Market will remain public (city owned). In the era when public-private partnerships reign in Baltimore and cities like it, it is crucial to realize what exactly we are giving up when we privatize the public good and put our tax dollars in the hands of business people and bureaucrats focused on profits over people. I believe those involved on the city and development sides mostly have good intentions; however, a lot of bad things have resulted from good intentions in this city. 

The redevelopment of Lexington Market is a symptom of the shifts to privatization and the long history of inequitable development. However good the intentions, I do not think the redevelopment will provide or replace the thriving Black public space of the market area. Lexington Market epitomizes the vivaciousness of the street life of a city–people selling their wares, loudly socializing, proselytizing, slinging, congregating, and being seen. Many news stories on the redevelopment of Lexington Market harp on the sale of drugs and the fear of crime. As someone who lives just three blocks from Lexington Market, I think these issues are overplayed.

I could do without the occasional street harassment or public urination; however, I have spent a decade of walking by the market at least three to four times a week and never felt threatened. If you mind your business, there are no problems with drug dealers focused on earning a living. The westside of downtown is where people naturally collide due to its central location and public transportation hubs. Such conditions produce the density I love; this is what makes a city. Right now density itself has become dangerous, but that is temporary. I am not giving up on the cacophony of voices that makes a city a city. I am not giving up on Lexington Market. 

For the past ten years that I have lived in downtown Baltimore, Lexington Market has been the central force and anchor of all that is distinctly beautiful about downtown living. I walk by the market when I head to the shuttle to go to work at UMBC. When I have a bad day at work, the street life of the market raises my spirits up on my walk home. Through UMBC’s Baltimore Traces project, I have brought many students to the market. We have produced podcasts and zines and hosted events at Lexington Market.

The Lexington Market segment of the 2015 Bromo Speaks student-produced podcast is still one of my favorite examples of collaborative student work. My students also produced Tale of Two Markets comparing the Lexington Market to the new more upscale and privately-owned Mount Vernon Marketplace, which is both only five blocks and a world away. In fall 2017, I taught an entire class called Learning From Lexington, which produced a podcast, two zines designed by the talented artist Markele Cullins, and a celebration in the Lexington Room on the second floor of the Arcade. I have learned a lot from Lexington.

Thursday, March 12 was my last day out before the pandemic took away our collective access to one another. I spent that Thursday afternoon at the Lexington Market with my husband Baynard Woods and our neighbor Wendel Patrick, who was taking some photos of us for WYPR’s Out of the Blocks three-part podcast on Lexington Market. The third part has yet to air, as the world has changed focus. But back on that Thursday afternoon in March after the photos were taken, Bay and I ordered a crab cake and a Boh at Faidley’s. We talked to owner Nancy Faidley Devine about their new spot in Catonsville and her thoughts on their eventual move into the new Lexington Market. We walked out of the market that day without knowing that our lives would soon radically change.

Later that Thursday after work, I met my friend Kate Drabinski for a beer at Cultured, a stall at “the other” market in the neighborhood, the Mount Vernon Marketplace. We knew classes were cancelled the next week so that professors could move their courses online before spring break. While we sat at the bar talking, as we have done countless times, our phones told us classes the next day were cancelled. Then our phones told us that public schools in Maryland were closing. Our friend who is a high school teacher arrived exasperated at the bar for a drink. Kate’s wife who works for the state stopped by for some food as she was just told to telework until further notice. More regulars came through. 

I had an inkling, but I certainly did not know that Thursday would be the last time I would gather with people to eat and drink in a public place for many weeks. It has been seven weeks. We have hardly left our home since that Thursday.

I didn’t know the pandemic was coming. I knew the Arcade was going to be torn down. I had been to meetings. I read the newspaper. Yet it is an entirely different thing, different experience, when something you love, something so a part of your everyday life, is just gone. 

As an American studies professor, I try to understand the history, culture, and meaning of place. As part of that endeavor, I try to understand the city, something I know I will never fully understand. I still try. Thurman Jennings, a young man I interviewed in 2017 about the changes coming to Lexington Market, told me he did not want the market to change:

Lexington Market is an embodiment of the spirit of Baltimore. A lot of the residents as far as I’ve encountered don’t necessarily have the easiest ways of succeeding in life but it’s the will, it’s the drive that a person has that makes them go out and get and achieve. Lexington Market, you look around at all the business shops and you look around at all the faces. It’s that same spirit, that same drive, that same get up and go. And I don’t know what the day will bring but let’s hope for the best.

That striving, in the face of uncertainty, is our shared humanity. We continue onward despite not knowing how things will turn out. That’s just what we do, must do.

What does a building mean without the people? 

I don’t know. But, I am hoping for the best. I know the people of Baltimore have the drive and the spirit to claim space. I have seen it.

When we can all be together again, I hope to see you at Lexington Market.



For more of my reflections on the redevelopment listen to Out of the Blocks by Aaron Henkin and Wendel Patrick, Lexington Market, part 3: On a Humble, which aired Friday, May 8, 2020:

West Baltimore Street Stories

A Walk Down West Baltimore Street features historical research and fieldwork on the 1000 to the 1500 blocks of West Baltimore Street. The final products include a public history zine and video interviews which debuted at a public event on Saturday, May 18, 2019 at the Lion Brothers Building.

The project was a collaboration between two UMBC courses during spring 2019: American Studies 422 “Preserving Places, Making Spaces in Baltimore” and Media & Communication Studies 484 “Production Fellows.” AMST 422 is an applied research course that addresses the importance of place to the diverse history and culture of Baltimore by developing innovative preservation and public humanities projects. MCS 484 students created short videos based on interviews conducted as part of the cultural documentation project.

Stories from West Baltimore Street

AMST 422: (Prof. Nicole King) DeAndre Bright, (teaching assistant) Dawn Baskins (SOWK), Olivia Grimes (INDS), Zack Herd (AMST), Shadia Musa (AMST)
MCS 484: (Prof. Bill Shewbridge) Tony Cano, Adam Czarnecki, Daniel Eiskant, Christian Howe, Kenneth M’Balé
Baltimore Traces Fellows (alumni): Adam Droneburg (AMST) + Markele Cullins (VARTS, graphic designer for the zine)

For the first assignment of the semester we all took a few pieces of the 1500 block of West Baltimore street to research… and find a place story. I had 1535-1538. The address that led to my place story was 1536 West Baltimore street where the Knoop brothers started their venture in the United States around 1870… the trail of this place story runs cold in the 1940s. The next step in my research will be to find ways to update this narrative and connect it more to the Baltimore we know today.


From the 2019 zine…



Prof. King’s

PLACE STORY: 1536 West Baltimore street (draft 1)

The Knoop brothers were three melancholy Germans who kept a grocery-store at the northeast corner of Baltimore and Gilmor streets, opposite Thiernau’s. It was a dirty place, and we never patronized it, but my brother Charlie and I often lifted apples, sweet potatoes, turnips, etc., from the baskets which stood outside. The Knoops made money, invested it in the coal business, and died rich. In my boyhood only one of them was married. When he died his widow married one of his brothers. –H.L. Menken, Happy Days, 1880-1892

In the 1880s one-quarter of the residents of Baltimore city had “recent German roots.” So it was unremarkable that the Knoop brothers arrive in the 1860s as part of the German migration to the city. The Knoop brothers first owned a farm where cows often strayed and the eldest brother Johann Henry (John H.) Knoop would put advertisements for a reward for their return. By the 1880s brothers John and Frederick, the one Knoop brother who eventually returned to live in German, had built a “handsome store and dwelling” three stories and made of pressed brick at the northeast corner of Gilmor and Baltimore Streets. The Baltimore Sun reported in 1881 that these two stores were among six along West Baltimore that left the area “considerably improved.”
The oldest brother John was an important businessman in West Baltimore as shown by his public protest with other local businessmen in 1889 “against the proposed abandonment of the Mt. Clare Shops for the construction of Engines and Cars” and later in 1901 in testifying along with many local women against saloon opening on the 800 block of West Baltimore street. The most important role John Knoop played in the local business community of West Baltimore street was his role in founding and serving at the president of the The Merchants and Mechanics’ Perpetual Building Association of West Baltimore in 1893.

When John H. Knoop died in 1902 he left most of his estate and West Baltimore businesses to his younger brother George C (Gevert Claus) Knoop. These included the Firm of Knoop Bros., the coal and wood business conducted under the name of John H. Knoop & Co. at 6 North Gilmor street, the interests in the business of Knoop Hardware Company, 1536 West Baltimore street, shares in the Mechanic’s Permanent Building Association, interests in properties 1512, 1514, 1536 and 1538 West Baltimore street and 1517 and 1506 to 1538 Montrose street, interest in the farm known as Dorsey Hill, on Edmondson avenue, a tract of land of 19 acres near Franklin road, and finally interest in real estate in Germany inherited by him from his parents. John Knoop was never married, however, he left $4,000 (a sizable sum in 1902) and numerous ground rents to Miss Anna Augusta Kontner, a German American woman who lived nearby. Allmer Knoop was born in 1846, just two years after his older brother John.

Allmer Knoop was a grocer who ran the brothers’ storefront where a young H.L. Menken “lifted apples, sweet potatoes, turnips” from the binds outside. Allmer died a year after his slightly older brother John in 1903 and was listed as a “well known grocer” in West Baltimore and “beloved husband” of Freda (spelled Freda, Frieda, and Frida in the Sun) Knoop. In his will he left his estate to his wife and some money to nieces and nephews in German, and “made no provision for his brother, Gevert Laus [George] Knoop, of Baltimore, as the latter has been sufficiently provided for by succeeding the testator in business in 1879 and by the will of the testator’s deceased brother Johann Henry Knoop.” Less than eighteen months later in 1904, Allmer’s younger brother (by seven years) George married his widow Frieda.

George Knoop focused on running the family businesses, especially the Knoop coal company. Racial segregation became a hotly contested topic for white neighborhoods in Baltimore in the early twentieth century, leading to the nation’s first racially restrictive zoning ordinance being passed in 1911. George and Frieda Knoop moved, along with many other German American in West Baltimore to the county. The Knoops moved to a cottages on a couple of acres off of Beechwood avenue north of Edmondson avenue in Catonsville. It was in this county cottage that George C. Knoop died suddenly in 1914 after returning from a day of meetings in the city where he seemed in good health. According to the Baltimore Sun, “When about to leave for home he became ill and his condition grew so much worse that on arriving at his home he had to be carried from the car.” The coroner listed heart disease as the cause of death. George Knoop was 61 years old at his death and he was survived only by Frederick Knoop of German, the last Knoop brother who had much earlier returned to his country of birth.

In 1940, Charles R. Knoop sold the three story store-front building at 1536 W Baltimore street and the adjacent building at the corner of Gilmor St. to an investor represented by the broker Parker W. Frames, thereby ending the story of the “three melancholy Germans” who helped to build up the bustling businesses along West Baltimore street in the late-nineteenth and early twentieth century.




Stories from the City’s Southwest…


“I love the history… It’s a lot of stories here and a lot of history. I think that it would be beautiful if we can document all of this history or find ways of just going back and documenting the past 40 years.”

— Curtis Eaddy

Events and Marketing Manager, Southwest Partnership

A Journey Through Hollins is a free, public event hosted by UMBC students in the “Preserving Places, Making Spaces in Baltimore” public humanities course taught at the university’s downtown classroom in the Lion Brothers Building. Join us on Saturday, May 12 at 2pm for an open house & zine release + Story Map website debut. The first 50 people who attend receive a free public history zine based on the students’ research on the past, present, and future of the Hollins Market area.

At 3pm we depart for a walking tour of the neighborhood led by Curtis Eaddy of the Southwest Partnership. The tour will end at 1116 Hollins Street for an open mic at Hollins Place, a new restaurant that recently opened in the neighborhood. All are welcome.

During the spring semester, students read about and researched the history of the area. Each student researched a specific decade using local newspapers, such as the Baltimore Sun, Afro-American, and Jewish Times, and pieced together a narrative. Students went on a walking tour of the neighborhood led by Curtis Eaddy before choosing a historic building to research using newspapers, deeds, as well as archival research and photos. Students wrote profiles on past vendors or current entrepreneurs in the area for the Stories of Sowebo newspaper. The newspaper was part of artist Malaika Clements’ Neighbor Lights programming in Hollins Market on Friday, April 6. The Light City newspaper and the zine for our event were both designed by Markele Cullins (Visual Arts, UMBC).

Back (left): Curtis Eaddy (Southwest Partnership), Liz Ridinger (B.A. American Studies), Zachary Utz (M.A. Historical Studies – Public History), DeAndre Bright (B.A. American Studies, Education), Jonathan Portuesi (B.S. Biological Sciences & Entrepreneurship minor), Anthony Portuesi (B.S. Biological Sciences & Entrepreneurship minor), Jameka Wiggins (Chemical Engineering), Terece Young (B.A. American Studies & Sociology) Front (left): Sydney McCain (B.A. American Studies, Education), Elizabeth Piet (B.A. American Studies, Education), Lia Adams (M.A. Applied Sociology), Professor Nicole King (American Studies)

After Light City (and spring break), student research shifted to attending events and interviewing local residents and business owners for their public history zine on Hollins Market.

Join us on Saturday, May 12 for A Journey Through Hollins and see this wonderful southwest Baltimore neighborhood and what the students learned this semester… EVERYONE IS WELCOME.


When I first moved to Baltimore over a decade ago…
I remember playing ball on the sidewalk of Hollins street
I remember exploring the Market and getting a chicken box from Jack’s, still unaware that it was a chicken box
I remember driving late at night to Zella’s, one of the few pizzeria’s with really yummy pizza.
Now, eleven years later….
I realize that my early presence in the neighborhood was connected to the process of development
I realize that the Market is now threatened by the impending revitalization efforts of current developers
I realize that small businesses, like Zella’s, can resist urban renewal efforts and still succeed

— Lia Adams (UMBC graduate student, Sociology)

Learning from Lexington Zine Launch + Open Mic

On Saturday, December 7, 2017 Baltimore had its first snow of the winter season… and the Learning from Lexington students hosted their Zine Launch + Open Mic. We had 50 zines along with entertainment and food, including a delicious cake. We got all of our food and drinks from the Lexington Market to support the vendors. Our drinks, plates, napkins, etc. came from Herling’s Grocery Basket and were very affordable. The pizza came from Italian Stallion and the cake from Berger’s Bakery.

The open mic was hosted by by poet and MC Meccamorphisis. We gave out all of our 50 free public history zines to those attending the celebration in the Lexington Room at the Market. Below are some photos from the event. Photography by Kimberly Zerfas.

Thanks to Jessica Berman and Courtney Hobson of UMBC’s Dresher Center for the Humanities for hiring the photographer and to BreakingGround for funding the inaugural Baltimore Traces Fellows program where UMBC alumni returned to share their skills of audio recording, research, and interviewing with the current students.

For the spring 2018 semester, my AMST 422/682 Preserving Places and Making Space in Baltimore students are working on researching the historic Hollins Market neighborhood where UMBC’s downtown classroom at the Lion Brothers Building is located… more to come!

The Zine Has Hit the Streets

Volume 1 of the Learning from Lexington zine has hit the streets, folks.

How will the zine affect our “on the streets” interviews?

For a prime example of the “on the street” model of interviewing you can listen to the spring 2016 podcast Word On The Street produced by Shira Singelberg and Andy Holter… “Bring the Recs back!” “It all begins and ends with the people… it all begins and ends with us.” “There’s a lot of love here.”

Visual Arts major and graphic designer Markele Cullins did a solid job of pulling things together to feature the students research. The zine includes a selected timeline including some memorable past vendors (James and Eliza Herndon) and places (Tubbs Restaurant and Lounge) as well as how the Market has changed because of fire, development, and politics. The most useful aspect of the zine is a summary of the changes planned for Lexington Market.

Do you know about the changes planned for Lexington Market?

We have been taking the zine to the streets not only to get the word out about the potential changes… but also to listen to how people feel about those changes.

Last Wednesday’s class (Oct. 25) we took the zine to the Market to begin our field work. We had done a few interviews on the previous Monday but ran into some trouble with security about recording. Once we explained we had secured permission from Stacey Pack, we were good. So, when we saw Stacey in the Market we got some business cards, which we refer to as “get out of jail free” cards. One of the issues certain people have is with Market security. For example, how the Market “rules” do not allow people to sit down on the first floor of and people are rushed to finish their food. There’s a 30 minute time limit posted by the only seating area (located in the upper level of the arcade). Why doesn’t the market want people to sit, to linger, to enjoy and linger in the space? We have some ideas. But…

Our focus for the next few weeks will be talking to people “on the streets” as well as in offices… we are also interviewing Robert Thomas, Baltimore Public Market, Inc. executive director, this week. Markele is interviewing his grandfather about his memories of Lexington Market. To really explore an issue you have to talk to everyone possible… from the boards rooms to the streets.

If you want a zine or (even better) if you have a Lexington Market story to share, email us at baltimoretraces@gmail.com.

See y’all in the streets.

October 25 class “debrief” at Alewife

The ups and downs of public humanities projects… on “research” Monday

Mondays are my research days; however, as chair of my department and while working on a complex class project with my students, I must take a broad definition of “research.”

This morning began grand. I walked the ten minutes from my house to meet my students as they prepared for their first day of fieldwork. As Christina and I were waiting for the other students LM security approached and told us that we could not sit up here (we were on the second floor of the Arcade) if we have not purchased food, which seems a bit “problematic” within a “public” market space to me… and especially since we had not even been sitting there for five minutes before being approached. I politely told the security guard that we were waiting on more people who were joining us and I was about to go and purchase food and drinks. She was cool with that.

So, I ran down stairs and got some Konstant’s coffee (the best!) and four doughnuts from the Berger’s booth (AMAZING… and Berger’s is really busy in the morning). I saw Stacey Pack, the communication manager and friend to our class, with a film crew. She said that the Market was working on “telling their own story” in a short film. Wonderful! The more stories (past and present) we can tell about the Lexington Market at this moment of impending change the better. However, if we have “learned” anything about the history of the Lexington Market it is that it has always been changing with the city and that change has always been contentious. Change is hard.

Last weekend when I read many of the numerous news tidbits in the Sun on the LM in the 19th century, I noticed how some contemporary issues have existed for well over 100 years. Going back to at least the 1830s street harassment of “ladies” was an issue around the Market. Bustling city streets are a great amalgamation of our shared humanity. From 6:30am to closing at 6pm the Market and its environs are some of the most lively and beautiful places in all of downtown. Humanity is on display and it is glorious.

As I bolt back up the stairs with coffee and donuts, Adam and Liz have arrived. I make sure they have all they need and tell Christina that I put two batteries in the zoom recorder case since the power was a bit low. Adam remarks, “You know it takes four batteries, right?” No. I did not know that… because having student teachers (like Christina and Adam) take numerous Baltimore Traces courses and then return as fellows means that they know more about certain aspects of our project than I do. We all learn from one another. Making mistakes is often the best way to really learn something. Okay, four batteries… got it. Adam always has his recorder and a dozen batteries in his gear bag any way. We won’t even speak about what I did to the earphone cord Adam fixed for me last semester :O

With a delicious cup of Constant’s coffee in my hand, I walk home to get back to my “research.” After answering emails and putting out the little fires that always seem to flare up on a Monday morning right before advising season begins, I write Calvin (another Traces fellow) to get the files to make the final zine edits. Simple, right? Let’s just say it does not go well.

Something I can work on (other than navigating photoshop and the Adobe suite better) is delegating responsibilities to the students/fellows. I have to let the control of the final steps (always the most difficult) go sometimes and let the project really be the students’ project.

Well folks… that’s my “research day” when I am teaching a Baltimore Traces course. Remember my advice: Don’t work too hard!

Next week: Do they get zine 1 to press before Wednesday’s class? What are the next steps for fieldwork? And, will Professor King ever actually understand the Adobe suite? And why is everything always so complicated?

UPDATE… Markele Cullins is a brilliant designer and we got the first volume of the zine completed in time for Prof. King to make the 5:30pm shuttle home… YAY! Go Team.

Expanding Humanity: Seeing Traces

During our last class, I clarified that our main goal this semester is to “Learn from Lexington” as outsiders/students and present our research on what we have learned to the public at the end of the semester. We are exploring the history, culture, and stories of the market and need to be upfront and ethical in our work. We do not want to cause or solve problems, or even offer solutions or make interventions or changes. We want to explore, document, and learn and then share with the public.

In class we discussed the history and role of zines. We learned from Chole Arnold’s A Brief History of Zines in Mental Floss (November 19, 2016) that the first zines were science fiction fanzines from the 1930s, which speaks to the role of zines in sub/counter cultures in the U.S. The community of science fiction zine writers and readers even successfully fought to save the Star Trek television show from being cancelled in 1968. We also discovered, by following links and confirming with Lindsey Loeper in Special Collections, that UMBC holds an extensive archive of these early science fiction and fantasy zines. There is power in building community around zines as seen by their role in punk and riot grrl subcultures of the 1980s and 1990s. Jenna Wortham’s New York Times article from February 28, 2017 Why the Internet Didn’t Kill Zines explores that power in today’s oversaturated media culture. Zines also connect to the (tenuous) survival of print in a city like Baltimore where a digital divide (inequitable access to digital culture) still exists.

Shakar Mujukian (producer of a zine about queer and trans Armenians) told Wortham via email “just because technology can fully replace something doesn’t mean it should” and described zines as the “precursors to personal blogs” (which have been in decline over the past decade). Here’s an especially relevant section from Wortham’s article:

Devin N. Morris, who edits and publishes 3 Dot Zine, told me that he sees self-publishing as a political and radical act. He’s a young queer artist from Baltimore, and the zines he creates reflect that experience and create a historical narrative that otherwise would be ignored. For him, the act of creating a zine is more about defining his reality on his terms and legitimizing it than it is about the novelty of making indie media and distributing it. It was a sentiment I heard from almost every zine creator I spoke to. Morris, who recently hosted an indie-press fair at the Museum of Contemporary African Diasporan Arts, said that zines have a way of encouraging people to have “inspiring interactions in real life.” He described a hunger to physically interact beyond simple likes or direct messages. Social apps weren’t made to inspire that desire; they were created so that there would be no need.

Wortham’s last line is especially relevant for the goals of the “Learning from Lexington” project: “The internet is especially adept at compressing humanity and making it easy to forget there are people behind tweets, posts and memes.” Indeed, urban redevelopment projects are also “especially adept at compressing humanity” and forgetting that there are actual people attached to even an old an imperfect building (like the LM). The “human connection” comes from taking a blank space built in 1952 and giving it a sense of place from years of interaction and use. The Baltimore Traces project is committed to documenting these traces left on the landscape and to critically engaging the past as a productive way to think about the future of a city. When we went down below the Market into the Tubbs night club and deeper down into the catacombs, we were in a sense going back in time by inhabiting a place long gone… but not forgotten.

Both the series of public history zines the students are working on and the podcast they will create from the voices of individuals who are kind enough to share their time and their stories with us will be a pause in the movement of these traces of the past through the act of cultural documentation. That is why students are reading Folklife & Fieldwork: An Introduction to Cultural Documentation (American Folklife Center, Library of Congress, shared by Michelle Stefano) for our next class.

The real goal of this course, and public humanities courses in general, is to expand humanity and to make sure we never forget the people behind the traces written on a place. While expanding humanity may seen lofty and huge… it is really only another way to say that we want to learn… and then share… some traces people left on a place. This semester that place is the Lexington Market. And the fact that the building will be torn down within the next three to five years, does not mean that it does not matter. There will still be many traces left behind. We hope to add to the collection…

Preserving Places, Baltimore Traces Reunion… with pizza and ghost signs

During week 4, I invited back students from previous public humanities courses to meet with the current fall 2017 cohort.

Current students and fellows presented their plans for a public history zine, podcast, and event to the “old heads” for feedback and advice.

Afterwards we all walked a couple of block to Zella’s Pizzeria to break bread. Thanks to our visiting UMBC alumni:

Michael Stone (AMST 680, spring 2016) Public History M.A. ’16

Andy Holter (AMST 680, spring 2016) Public History M.A. ’17

Courtney Hobson (Dresher Center & Public History M.A.)

James Berbert (AMST 356 & 422) American Studies B.A. ’17

Katie Hern (AMST 422 spring 2014 + “Preserving Places) American Studies B.A. ’14 +

Master in Social Work UMB ’17

…and Dr. Kate (Drabinski) my co-editor, previous co-teacher, and current shuttle buddy (she did not stay for pizza!?!)

On the way back to the car, students posed with a ghost sign overlaid with photography located by the Hollins Market.

There are dozens of ghost signs that populate the area around Lexington Market and the Howard Street corridor of the westside of downtown Baltimore… they are symbolic of how the past lingers and how you can see the evocative traces of human history written on the landscape if you really look closely.

Until next week… here’s the white board:

Whiteboard put together by Kate Drabinski, Natalia Panfile, and Nicole King in June 2017.

Learning from Lexington Tour

To really understand a place you have to experience it.

On Wednesday, September 13 the “Learning from Lexington” team met on the second floor of theLexington Market’s arcade and then had a tour from the Market manager Stacey Pack.

Stacey Pack shares the history of Lexington Market with the group as Baltimore Traces fellow Adam Droneburg records.

Pack took students into the Lexington Room where we will have our December “Learning from Lexington” event on Saturday, December 9 at 2pm. We will listen to a brief student produced podcast on the rich history of the Market with a focus on the issue of change and how the public, both patrons and vendors, feel about these changes. We are envisioning the event as a cultural documentation of the life of a place and as a way for the public to discuss the importance of the Market in their lives and how they envision change working for the public. Students are also working on a public history zine on the market’s past. Understanding the past is important to understanding the present and processing how places and communities move into the future.

Stacey took the group outside to show the old bell that was ceremoniously rung to start and close business each day. We crossed Paca Street and looked at the stall numbers on the sidewalk along Lexington Street as Stacey explained how long the market once stretched.

Students look down from the windows of the Lexington Room to the stall in the East Market.

The redevelpoment for a “new” Lexington Market (more on that later) include a plan to reopen Lexington Street, but as a pedestrian area rather than a street for car traffic. Currently Lexington Street ends at the Paca Street entrance to the East Market and begins again on the other side of the market building at the Eutaw Street entrance. It was highly controversial in the late-nineteenth and early twentieth century when the market, originally a host of outside stalls where farmers and then produce sellers or butchers would sell their wares in covered stalls, was planned to be converted into an inside space with its own free standing building. As students have seen, while reading and compiling more research from the Baltimore Sun and Afro-American to add to Eli Poussson’s (Baltimore Heritage) Lexington Market: A Collection of Sources, change has long been a point of public contention regarding the Lexington Market. The vendors and some of the public fear change from the outside market into an inside market. Now the plan to tear down the current market building, which was built in 1952 with the arcade added in the 1980s, to open up space for a potential park and “farmer’s market” outside vending is in a way change for the future and a return to the historic outside stall model, abet one refashioned in the twenty-first century style of trendy “farmer’s markets” and “food markets.”

We can learn so much from Lexington Market about the city, urban space, and how power works in public spaces because it has changed with the times while maintaining its own distinct sense of place and identity directly connected to the life of a downtown… our city, Baltimore. The new changes are trying to make our market more like the Eastern Market in D.C. or Reading Market in Philly. These cities are both around the corner and completely distinct from Baltimore in many ways.

One of the highlights of the tour–one where we all had to sign release form before entering–was the catacombs. The catacombs are accessed by going through Tubbs, a restaurant and nightclub that operated under the market until … I believe Stacey said 1989 (and there was a violation for go-go dancing in 1988) but Baynard Woods, author of the longform profile of the market The Battles of Lexington for City Paper in April 2015 says he remember signs for events inside Tubbs dating to 2003. It seems like we should look more deeply into the history of Tubbs a strange ghost-like place of different times. The catacomb were “discovered” in 1951 when constructing a parking lot. The spaces below Tubbs are dark, cold, and have the old arch stonework of Baltimore basements. These spaces were used to cure meat and to bootleg whiskey… and there are stories that slaves were “stored” by their owners at the Lexington Market. That would make the history of the catacombs even more dark and nefarious. Stacey states that organizations have been interested in reviving the catacombs; however, with only one entrance, the space is not up to fire code.


We leave the dark and dank below ground space back into the daylight and walk across Paca street and into the light…

 Fellow interviews Stacey Pack… while ghost professor lurks in the background. I find this picture symbolic of the role of the professor in applied research courses that are civically-engaged in the communities of Baltimore… background.

More to come on our adventures and upcoming event soon.